Hublot Big Bang Sang Bleu II

Hublot and London-based tattoo studio Sang Bleu are unveiling a trio of timepieces in ceramic – three limited edition Big Bang watches which explore new territories of colour

Three new creations for their collaboration: Hublot and Sang Bleu are relighting their creative flame to produce a colourful new trio. The new Big Bang Sang Bleu II Ceramic watch will now be available in blue, grey and white. Adding to their technical achievement of having successfully created perfectly and evenly coloured ceramic, Hublot unveils a watch architecture that continues to defy tradition.

With its sharp angles, its sculptural case, its multiple facets as if cut in diamond, the Big Bang Sang Bleu II designed by Maxime Plescia-Buchi and Hublot has the ability to amaze and astound. Combining the creativity of the tattoo artist with the technical expertise of the Nyon-based manufacture, the piece displays a radical, complex design, which demands a closer look in order to fully appreciate its multidimensional appearance. The case, bezel, case middle, strap and dial have been constructed with their own geometry and, at the same time, they come together with a seamless fluidity.

With these new grey, blue and white versions, the Big Bang Sang Bleu II displays a new temperament. In the grey ceramic version, the piece offers a modern look reminiscent of the great urban structures at the heart of 21st-century megapolises. The shades of grey that illumine the ceramic evoke steel, titanium and aluminium in turn, strongly accentuating the profoundly architectural design of the Big Bang Sang Bleu II.

The blue ceramic version is a clear nod to the name of the piece – a royal blue, an echo of the term “blue blood” (sang bleu) which is used in historical literature to describe the nobility of a lineage. Between day and night, light and shade, the piece offers the perfect blend of tones, a real technical feat for a material as difficult to master as ceramic, which is always susceptible to tiny variations when it is fired at very high temperatures. Here, as in the grey version, Hublot and Maxime Plescia-Buchi developed an approach where the dominant colour of the piece echoes the white and luminescent indices and hands. The geometric structure of the hands appears in all its complexity, hypnotic as it is, in constant movement, and forming, for a few fleeting moments at midday, a complete work in perfect alignment and symmetry.